jeklynhyde


Never More Raven

Posted by Jeklyn Hyde on 2024-04-23
Read Time: 13 Minutes

Linocut is something I haven’t done since high school, but I had the opportunity to make art with a friend and chose to make a Poe-themed original piece.

Content Warning: Brief description of a dead pet bird.


Never More Raven

I met up with a friend in January with the suggestion that we try out some printmaking with linoleum (also known as linocut).

For this project, I had a vague idea of what I wanted to do. Something Poe-related that I could make for my mum who has been having some long-lasting health issues. Initially I was thinking about doing a Poe bust, but that seemed too complicated and, from my online searches, has already been done ad infinitum. I didn't want to copy an existing print, and it seemed too complicated for a first attempt to do a drawing from a portrait photo and render it into something that would look good in lino.

So I settled on doing something raven-themed. After some more online searching for reference, I settled on something that had a good pose, and started freehand drawing it in my sketchbook. I was going to do the full body, but I got the proportions wrong on the head, so I scaled the body up to match and skipped the feet. Needless to say, I didn't end up even getting to the carving that night, but I got a good start on the drawing.

The last time I did a linocut was in high school (if not middle school) and it was a tiny little square that I carved a weird fish with a mohawk into (maybe it was just a really rad, bright orange mohawk-shaped dorsal fin). So it may very well have been two decades since I last did this. And the one I did wasn't very good at all.

But two decades is a long time to develop as an artist, even if you're not regularly practicing your skills and even if you're not familiar with the medium. And it doesn’t even matter if you’re “good”. What does matter… is whatever matters to you. Whether that’s just having fun and winging it, or being able to express yourself, to make a statement, to illicit an emotional response, or if that means being able to accurately represent something, capture and reflect its essence. You get to choose what your art means to you. And other people will get to choose what it means to them - their experience being molded by their perception of the world.
And on rare occasion, intent and reception align.

But art is meaningful regardless of the audience. The process alone is a worthy endeavour for your own sake even if you never finish the piece or it doesn’t turn out the way you wanted. You grow from it. You learn more about yourself. You are ~alive~ and proving it. Even if no one else sees it, even if it only exists in the moments in which it is created and then disappears into the æther, it’s still worth it because you got to express it and experience it. Your expression is meaningful and you are worth the time and effort it takes. You are worth it. You are worthy.

…I tell to myself, a nobody hobby artist with self-esteem issues.

Art is an extension of your perception that is physically expressed into the world. In the act of creation you are literally changing the world. That’s not really any different than being alive since you have an impact on the world regardless, simply by living in it. But art feels more intentional than that, and is a deeply personal thing. Anyone can live; Not everyone creates.

It’s an opportunity to make magic. We have a thought, and we distill it through our minds, through our bodies, and into a tangible substance. Whether that be through our bodies in interpretive dance or in playing an instrument, or through our voices when we act out a character or sing, or through our hands - drawn, painted, sculpted, carved, written… - onto any myriad of mediums.

All of that to say that I didn’t know how well this thing was going to turn out, but I knew it was going to be fun anyway and I was excited about the prospect of getting to create something new and different.. To learn something kind of new (or relearn something old), and to be able to make a custom thing for someone I love.

Image Date & Alt Text: 2024-01-27

A pencil drawing of a raven with its back facing to the viewer, looking back over its shoulder. The text “NEVER” at the top is drawn in the background with the “N” and “E” partially obscured by the raven’s head. The text “MORE” at the bottom in the foreground, is shown as white space on the lower half of the raven. The text has been drawn in mirror image so that when a print is made, it will be legible. Hereafter referred to as the “Never More Raven”.

A couple days later, I finished hashing the raven out, but it was missing something. So I added the text "NEVER MORE". Then I was having trouble figuring out what parts should be the relief. It's all just zeros and ones when it comes to what gets cut and what stays, so I took a picture with my phone (which has a small stylus) and drew overtop of it in black. That way whatever is black stays, and the rest gets cut out.

With the amount of fine detail in the head, it made sense to leave a lot of open space around it. With the background being cut away, the text at the top should be relief as well. Then getting into the body where there's naturally more dark space and less detail, it should mostly be relief with the text being cut out.

Then a sort of taper effect in the background from dark to light, and to help out with the fact that this will be a stamp and support the edges, later on I added a border around the outside at the top.

Image Date & Alt Text: 2024-01-30

A picture of the drawing of the Never More Raven that has been mirrored to preview how it will look when printed. Details have been drawn over digitally with a black brush to define areas that will be cut out or left as relief.

Then the next step was the actual carving. It took a while to get to, but I bought some proper art linoleum and carving tools in the meantime. I decided to print out the black-and-white I had done on my phone and use it to trace into the lino using an X-Acto blade. For area cuts, trace the outside limits, for details, trace directly over the lines.

The "NEVER" was cocked at an angle, so I adjusted it up after I had traced the head into place.

Image Date & Alt Text: 2024-02-08

Five carving tools with wooden handles in plastic sleeves lined up next to some small Softcut squares. Both are on top of a stack of linoleum tiles meant for linocut art.

Image Date & Alt Text: 2024-04-03

A printout of the black-and-white digitized Never More Raven that has been taped to a piece of linoleum. The “M” and “O” and several other details have already been cut out.

Image Date & Alt Text: 2024-04-03

Linoleum tile that has had the Never More Raven traced into it with an X-Acto blade.

Then the careful process of scraping away the right things in the right ways. I ended up using all 5 of the tools that I bought and used the X-Acto blade for the very fine details, especially around the eyes.

The process went smoothly. I didn't make any major mistakes that needed correcting, though I wasn't too worried about it either. Worse comes to worst I could glue something back into place.

Image Date & Alt Text: 2024-04-14

Never More Raven on linoleum in the process of being carved out. Wooden handled carving tools and pieces of cut out lino surround. There is a piece of cardboard underneath to protect the table and catch scraps.

Image Dates & Alt Text: 2024-04-14

Never More Raven on linoleum in the process of being carved out. Wooden handled carving tools, X-Acto blades in a small wooden case, and pieces of cut out lino surround. There is a cutting mat with measurement markers underneath to protect the table and catch scraps. Most of the “NEVER” has been cut out in the first picture. The carving is nearing completion in the second picture.

I took some pictures along the way to see how things looked from a printed perspective. It can be really helpful when you're doing art stuff to turn it upside down, or take a picture and look at it in reverse to help give you new eyes to see where things could improve since you can get a little mind-blind when you stare at the same thing for too long.

I was really happy with how the carving turned out and had a good feeling about how the print would turn out too.

Image Date & Alt Text: 2024-04-14

The completed linocut of the Never More Raven. Wooden handled carving tools, X-Acto blades in a small wooden case, and pieces of cut out lino surround. The second image has been mirrored to give a preview of the final print.

I got back together with my friend who had acquired some printing ink. She let me use her tools (and ink) and showed me the process, and I made some test prints. The first one, the pink one (a throwaway colour I called it), was pretty thirsty and needed more ink.

Playing with the ink was rather enjoyable. The audio-tactile sensations from using the roller on the ink, the sound of little liquid connections breaking, to the way it looks when you're rolling it onto the stamp, and then the way it feels once the ink has dried upon the page. It's all a very pleasing and kind of calming process. I could really get into this.

I did another two tests in my sketchbook on the pages glued to the front and rear covers. Those didn't turn out so well either (also thirsty), but I felt comfortable with the process and confident in how the print would turn out on the page with a bit more ink and since it wouldn't have to contend with the texture of the cover.

Image Date & Alt Text: 2024-04-20

A kitchen table covered with newspapers which has a “Chicken Thoughts: Comics About Birds” book open to the title page. The Never More Raven has been printed onto a square piece of pink paper and onto the back cover page of a ringed sketchbook.

The Chicken Thoughts book is something that I found when a friend shared it on a social media platform (that I no longer use). I really liked the humor of the comics, so I bought a copy for my mom. She used to have a pet cockatiel named George. A gray-and-white little guy, aptly named for George of the Jungle after, when we first got him, he fell none-too-gracefully from his perch to the bottom of his cage – which turned out to be a relatively frequent occurrence.

He died in 2020 I think, but it was winter and the ground was too hard to dig, so my mum had yet to bury him. He hung out in the freezer for a while. She showed me him one time. He looked like he always did, but still and unmoving, delicate eyelids forever closed. That little guy lasted 20 years. I'll have to write something in remembrance of him...

I wanted to give my mum something nice to remember him by. Something that would bring a smile. So I got her that book.

Now with the health issues going on, I decided that this would be a good thing to add the print to, since it's bird related... Though it wasn't till late in the process that I thought that if the message was interpreted literally as opposed to being a reference to Poe, that it kind of comes off... a little sad. But I guess that's Poe for you!

I told her that I made something for her, and asked if she had any fancy paper that she might like something on, and that "I know that's vague, but if you don't have anything in mind, I am going to borrow your Chicken Thoughts book".

Image Date & Alt Text: 2024-04-20

The Never More Raven which has just been pressed to the page of the Chicken Thoughts book. The edge of the page is being lifted from the corner to reveal the linocut and its mirrored ink on the page.

I opened the book to the blank page just before the title, manually eyeballed centering the stamp and gently laid it in place, then rubbed on it with a hand printing press to help it stick (the printing ink is thick and tacky and acts like a kind of glue), then flipped the page over and rubbed it thoroughly from the other side. Pulling away the paper makes the same pleasant sticky peeling noise, but it's a tough pull, a little like velcro. The result was excellent.

Image Date & Alt Text: 2024-04-20

The dried print of the Never More Raven on the blank page before the title page in the Chicken Thoughts book.

When I gave the book back to her, I told her that I made the print hoping that she would have been better by the time I had finished it and that it's my hope for her finding a resolution and having it be a problem "never more". The joke was made that it would stop being a problem eventually, but I commented "yeah, but it's important how that happens".
We're a dark humor kind of family.

She said she really liked it, and really enjoyed the texture of the ink on the page and that now she would have to keep the book propped open so that this page would be visible.

My dad asked about the process, and I showed him my sketch and the stamp and explained how I had done it freehand from scratch. He was impressed by my lettering, thinking that it had been some kind of type I had copied. He shook my hand in praise. My mum said "we have a very creative family". All of us kids have a creative spark, even my brother who has been taking to making the occasional welded sculpture in his free time.

I forgot to get a picture of the stamp before I started washing it so I took one in the sink. The ink cleaned off of the relief surfaces very nicely.

Image Date & Alt Text: 2024-04-20

The Never More Raven linocut in a sink with the water running. Some water has already been run over the ink and it’s bleeding away in some areas. A red spatula with thick ink at the tip and an ink roller are resting underneath.

I made a couple more prints, but this last one I like the most. My friend got to keep that one as a token for suggesting the activity in the first place. I thanked her because this process has been fun and I look forward to doing it again sometime.

Image Date & Alt Text: 2024-04-20

The final print made during this session of the Never More Raven on a square piece of lime green paper. The ink almost has full coverage of the relief areas, but still has some empty spots to bring a little more variety and visual texture to the piece.